Chapter 39: Now normally at this point I skip forward a little to one of the hi-lights of life on the road. Well this time, for reasons that will become clear I'm only skipping to the next mourning. Lilly had gone off to help Katherine, and Hayley h...

Chapter 31: "OK, the flop is King of Spades, Seven of Diamonds, Nine of Spades." "I bet 20." "Fold." "Fold." "I raise 50." "I check." It was 5 days later. We were currently sitting outside the van at the campsite we were staying at close to the Aust...

Chapter 21: "Beep-Beep!" "Beep-Beep!" "Beep-Beep!" It was a few days later, we were waking up. Me and Hayley were snuggled up together, only; "Beep-Beep!" Only to have our peace disturbed. "Lilly, can't you get that alarm fixed" Hayley groaned. "It'...

Chapter 11: "I raise 20." "Check." "I raise to 200." "I fold." "Oh Why do you do that?" That's a brief extract from life on the road. Now lots of people may picture travelling around Europe with 3 beautiful girls, and imagine days of glamour and ad...

While my most successful series back in the day was the Pancake Day series, I did write another few series. Most notably this personal favorite of mine, a novel length story called Paradise By The Fairground Light. A noticeably different tone to the...

Scene 44: The camera cuts to what looks like a store room in the modern factory. As the camera pans around the room we see several weird contraptions, and even a few blueprints. The camera pauses as it views a large paddling pool full of chlorofoam....

The camera cuts to a room in a clean looking, modern factory. The camera is looking strait down at a large round pool, about ten foot across, filled with a orangey brown curry sauce. Above the pool we can see a black treadmill sticking out one of the...

Scene 32: The camera cuts to a rather familiar location. As the camera cuts around the room it becomes apparent we're looking around the same unfinished part of Fort Redgrave Aquarium we were in earlier. It quickly becomes apparent there's a new are...

Scene 25: The camera cuts to an empty inside room. As it pans around we see parts of it are unfinished, with tools and paintbrushes left around. The room is decorated with an Egyptian theme, with hieroglyphics on the wall, and small sphinx statues....

Hello, and welcome to scenes 17 through 19. As the first multiple scene part, you might guess it has some notable plot developments. It also has a big return as well. The return of officer Briggs and Louis from the trailer that proceeded scene 1 in P...

The camera cuts to a girl struggling on a metal grating. She is a heavily built muscular woman, wearing a pair of denim jeans, designer trainers and a black leather jacket. As she turns over we see she has white blonde hair cropped short, brown eyes...

Hello UMD, it's playtime. If you've been following my updates you know I announced a new entry to my Pancake Day series last week, and to not a huge surprise, I'm premiering it on Pancake Day itself. It starts with a notable change, inspired by an ol...

Hi, I'm just doing a quick update, as for those that remember my work at it's old location will know, this is the final part of my original Pancake Day trilogy. You might now be expecting to move towards uploading another one of my old series. Well n...

Scene: 39: The camera starts with a shot of a toilet, in a small cubicle, it pans up to the wall above the toilet where we see a large air vent, with the grate hanging down on one screw, leaving the entrance to the air duct open. The camera cuts to...

Scene 35: The camera cuts to a shot of a large room, where the floor is painted black, and all the walls are painted a clean bright white. A few signs indicate it's part of a large TV studio, several TV cameras can be seen down on the ground, and a...

The camera cuts to what appears to be a musty old wine cellar. Ancient oak barrels adorn the walls. The floor is old bare floorboards and the ceiling and what we see of the walls are bare stone. Of more interest is the structure in the middle of the...

The camera cuts to what looks like a small room in a gallery. The walls have several old oil paintings on them, and several white marble statues are organised around it. Most strikingly are four green marble columns creating a diamond shape at the 4...

The camera cuts to black. Then there's a click and a spotlight comes on focused on a girl, who appears to be standing on a raised platform. She is wearing a smart purple blouse, and a dark grey pencil skirt, and high heeled, nude court shoes. She has...

Scene 7: The camera cuts to a shot of a doorway to a cupboard size room, barely a metre square. The walls are made of a solid white plastic, apart from where a wide slit has been cut into the wall, but all we can see through it is darkness. Next to...

Scene 1: The camera pans around an opulently decorated ballroom. Starting with the period fireplace, before sweeping past a number of antique oil paintings, and along the old walnut floor, until it reaches something distinctly out of place. Kneeling...

Scene 41: The camera cuts to one of the larger rooms in the old cellar. Running through a doorway, and across the floor is a worse for wear looking Porcelain. Her hair and face paint is dishevelled, and several messy substances can be seen on her cl...

Scene 32: The camera cuts to a shot looking down a long corridor of an old building. The occasional picture hangs on the wall, and a large glass cabinet can be seen about halfway down. Painted wooden doors can be seen at regular intervals. The main...

The camera fades to darkness, and stays that way. As the camera looks on we can make out a few more silhouettes around the room, it's like wearing a pair of dark sunglasses in a poorly lit room. Directly in the middle of shot is the shape of a woman,...

The camera fades in to another part of the now familiar cellar. This one seems to be a corner of a much taller room than we've seen previously. On the two main walls wine barrels are stacked high, opposite them are two walls of chain link fence going...

Scene 15: The camera cuts to another room in the old cellar. This time it's a long narrow room, made even narrower where it's divided down the middle by a chain link fence. On either side is a girl lying on the ground. One has long brunette hair, ha...