Tell you the truth, plot matters insofar as there are plots that turn me off. I prefer it when the models (women in my case) enjoy what they're doing, have fun with it, or at least don't mind it. If the scene is about "abduction", simulating bodily fluids, simulating rapey situations, I'm out. (I know that's not a universal opinion, fwiw.)
But past that, whatever makes it make the vaguest amount of sense, even if that's "hey here's a hot girl who is going to get messy for fun" is good enough, though there's some value in having a little novelty (whether that's delivery, substance/technique, or "plot".)
I like there to be a bit of a back-story that explains just why this willing wench is happily wearing a wedding dress into the mudbanks or having her swimsuit filled with custard, but generally just something that can be explained in the text description, or in a few lines in the intro, not something that needs five minutes to explain before the messing can start. if a scene does have that I'm liable to skip forward to where the action starts.
But I do like there to be some kind of backstory and that's how I shoot my own scenes.
The plot to me is only as important as the skill with which it was written. If you're just going to throw together a few lines of garbage dialogue with directionless models reading off cue cards then I'm going to consider it time wasted. But there have been legit videos where the setup was so compelling that I forgot to even expect a pie or sliming. Not saying I'm as locked in as if I'm watching a Coppola film, but I appreciate when a messing has meaning--so long as it makes sense.
Scenes with a plot can lead to erotic voice lines, the acting can be very sexy or cute, or unique actions being performed related to the plot. It could just be a few lines of dialogue. Sometimes it is nice to see something interesting like a costume, a theme or premise, and roleplaying. Sometimes it is hilarious when it is a cheesy line which the model is told to say followed by a pie to the face or getting slimed.
I don't think it needs to be a well written plot, a realistic scenario, or professional acting. I don't expect it to be a 5 stage plot.
However, I think scenes where the model acts natural and gets messy are the best, so it is not too important to have a plot. I would also be disappointed if the scene was like 15 minutes of plot and 5 minutes of getting messy. Just a few lines and a few minutes of plot followed by getting messy. There are some plots and scenarios which I have no interest in.
One of my favorite series was the Mud Puddle Visual's Addicted to Mud scenes. The plot is simple, a lady who has been muddy finds mud, cannot resist getting muddy, takes off her clothes to avoid ruining it, nude and muddy climax, a realization of what she did, cleaning off, and putting clothes back on. I especially liked Kendra James' performance in this. I like plots that explain why a model becomes nude too. But, I also just like all of the other MPV scenes where the model gets muddy without any reason or plot.
IF there is a plot, I think it matters more in the beginning of the scene than it does by the end of the scene. In the beginning it separates scenes from each other and can either set up punch lines or increase sexual tension up to the big release of the first mess. Then it usually continues on for a bit, but as the WAMee gets messier and messier, I don't mind if they just start to enjoy it and the scene goes into chaos.
I am also fine if a scene has no plot and is just mess for the sake of mess. The only thing with those to be careful of is making sure there is something unique from other scenes and models so it's not just the same thing over and over.
vaz said: Tell you the truth, plot matters insofar as there are plots that turn me off.
This is something I hadn't thought about, but is also kind of true. I prefer plots to be a vehicle for mess rather than the mess be secondary to a plot. Plus, some plots can just really kill the mood.
I like slapstick. I like some artifice. But poor execution is worse than nothing so I tend to gravitate to well-shot scenes with charismatic models and a lot of mess (an ultra-rare combination), and use my imagination for the rest.
I voted "a little" though the true answer may be "A LOT."
i think of the work of "casewam/babaslimes" - a particular scene where turing a small lever handle triggers a barrage of pies - and on a second or third attempt, a deluge of sludge from above at each lever pull.
That video had a surrealist logic to it, and that is very fascinating.
It has waned in the discourse - (good!?) - but there was a period of time where people in this community memed and decried "plastic chairs" with tarps and absolutely no set-up, or any logic.
I like to see scenes that are as blatantly planned as they are improvised. A reflection of the uncertainties in how any particular slops, creams, gunge, or goops might decide to splat.
It's a matter of preference. For me the best content will always be from people with actual wam fetish doing their thing, no plot necessary. But if there IS a plot, I prefer it to be simple and involve messy humiliation. The whole purpose of porn (for me) is to goon, plot should only exist if it enhances the goon, otherwise I'm better off spending my time elsewhere. But that's just me
For me, the thrill is in the context and build up. There are tons of videos of just two women giggling, tussling with no context offered and honestly, it's boring.
I enjoy building up on real perceived animosity and contention between two rivals. It creates a better atmosphere and makes the viewer become more invested into the match and its outcome. I have had fans literally write in telling me who they were rooting for and that honestly is what we want. None of that happens without a story for a viewer to identify with or connect to.
DungeonMasterOne said: I like there to be a bit of a back-story that explains just why
I agree with this entirely. Plots can work for me, but honestly the 4th wall coming down before a scene just a bit is incredibly hot to me. As is the script breaking because of something surprising, overwhelming, or unexpectedly sexual occurring for the model.
Some examples of this:
1. @WamArtistry did a shoot with Kat Hobbs, where we learn enough about her in the minutes leading up to getting her first pie slammed in her face to know that she's never done this before and is nervous. The rest of the scene and her shock and laughter are so heightened for me because of it.
2. @ArchNemesis did a shoot with Tristan where she gets slimed and pied in the face while being fucked. She's clearly aroused but also doesn't know which way is up. Her reactions break the 4th wall slightly - having no idea how intense and maybe embarrassingly pleasurable the shoot would be. @PortCitySlophouse has done some similar stuff recently, I think there's one model in a scene with a magic wand attached to her. She is laughing and a bit embarrassed because she truly did not expect that she'd be turned on and cumming through the onslaught. Which reminds me of @Messygirl's "Slut Soup Dakota / Cooking with Zoey" scene, where Dakota literally whispers an apology to Zoey for authentically becoming aroused before Zoey tells her not to worry and encourages it. Obviously the audience doesn't mind but knowing that she kind of can't control it and that she's lightly embarrassed/surprised that the arousal isn't all just acting is super hot.
3. Combining some of these, @MessyGirl's Jade and Kaydens scene is unreal. There IS a thin plot - about this shoot that they've signed up for and not knowing what to expect, before the scene fading to them keeling, naked, handcuffed behind the back, connected by a shared ball gag, and whimpering. Then MG starts pouring ice cream on their bodies, face first. They squeal and scream - especially Jade, who can't quite take it and is clearly overstimulated. In the next scene Jade's ball gag has been loosened, we can only infer because she ultimately bit off a little more than she could chew by agreeing to the shoot / she couldn't get away from the cold mess when attached at the mouth to Kaydens. WetAndMessy's sybian splatgun with Odette, their sybian scenes with Kim, and their pie conveyor belt bondage scenes with several models, all scratch that itch as well. Clearly scripted, but nevertheless the 4th wall breaks because of how crazy things get.
I believe a Plot is, very important for most the time; ashelps direct,ones imagineation to proceed in the Writers; intention for his suggestion to help; to give us a similar projection of His thoughts.This gives the Writer his due, to his written words.Making mess, for messes' sake,is good slapstick: but usually if there was a history,behind it,it does add to the better picture.
I love roll play when I know Im going to get plastered with lots of foam pies!"Knock Knock Pie Jokes, Pie Trivia or just knowing your Pie Domme is giggling telling you she is going to.pie your until you cum. It adds to the pie fun !
I love roll play when I know Im going to get plastered with lots of foam pies!"Knock Knock Pie Jokes, Pie Trivia or just knowing your Pie Domme is giggling telling you she is going to.pie your until you cum. It adds to the pie fun !
As a general point about storytelling, I think it depends how novel the premise is.
I think that "Groundhog Day" is a good example. That wasn't the first time loop story (e.g. "12:01" came out first), but it was the first one to go mainstream. So, the writers spent a lot of time setting up key events the first time around, so that the audience would recognise those events on subsequent loops (e.g. Phil stepping into a puddle).
After that, there were various TV series that had a time loop episode, e.g. "Xena" and "Stargate SG-1", and they were able to establish the premise more quickly, because they assumed that the audience would be familiar with it.
When you get to a movie like "Palm Springs", the characters just say "Hey, I'm stuck in a time loop" right at the start, i.e. they can get that out of the way and move on with the story.
However, in the context of WAM videos, that's probably not going to be an issue. If someone does have a truly ground-breaking idea, it's probably wasted on WAM!
Another aspect is that it can be really satisfying to watch the pieces come together in a well-written story. As another non-messy example, there's an old episode of "Frasier" ("First Date" in season 5), where Daphne overhears Niles saying that he's in love with someone but doesn't hear the bit where he said her name. When they're talking later, Niles panics and says that he's got a date with one of his neighbours (Phyllis), as the first name that popped into his head. Daphne hangs around to help him prepare for his non-existent date, and Niles enjoys spending time with her. That's all well and good until there's a knock on the door and Phyllis turns up. (I think she just wanted to pick up a parcel that had been left with him while she was out, or something along those lines.) So, Daphne assumes that Phyllis is there for the date, while Phyllis doesn't know anything about it, and Niles can't tell either of them what's really going on.
I could imagine a WAM video with a similar structure. Not that specific plot, but a farce that relies on misunderstandings. So, you'd need to establish who the characters are, what they believe, and what their motivations are. However, that means that it all should be written (and acted) well enough to appeal to people without a WAM fetish; I'd say that's quite rare.