Scene 25:

The camera cuts to an empty inside room. As it pans around we see parts of it are unfinished, with tools and paintbrushes left around. The room is decorated with an Egyptian theme, with hieroglyphics on the wall, and small sphinx statues. Around the wall we see many glass panels, revealing currently empty fish tanks and reptariums. The camera cuts to one of the tanks, that's almost seven foot tall, but only both three foot wide and deep. Trapped inside the tank we see a woman in her late twenties banging on the glass, and shouting for help. She has long brown hair, is wearing a fashionable, navy blue, wool top, a tight pair of jeans, and a pair of stylish black ankle boots. We hear a set of familiar footsteps approaching.

Crystal: Hello Elena, it's time to play.
Elena: Help me. Get me out of here.
Crystal: We're hardly going to do that, after we went to so much trouble to bring you here.
Elena: Where am I?
Sapphire: Your in the new, soon to open, area of Fort Redgrave Aquarium.
Elena: Well let me out.
Jade: That won't be a problem. Soon that trapdoor your standing on will open, and you'll go plummeting down to one of the tanks downstairs, where we've organised a special surprise for you.
Elena: What?!
Crystal: Do you still want out? Well you can let yourself out. If you look down you'll see four jars attached to the wall.

The camera cuts to a shot of four large replicas of Egyptian canopic jars, with the heads of a sphinx, monkey, jackal and falcon, bolted to one wall of the tank.

Crystal: If you search through them you'll find a dozen or so keys. Six of which will open one of the padlocks keeping the escape hatch above you locked.

The camera cuts to a shot of the top of the tank, with the padlocked hatch in place.

Jade: Of course we've arranged for some extra fun for you.

The camera cuts to Elena letting out a scream, as four pipes in the tanks ceiling all start pumping out a torrent of thick, brown, onion gravy, that falls down onto Elena, and starts pooling on the floor of the tank.

Sapphire: Have fun.

Sapphire pauses to turn an hourglass over, before strolling away with her two companions.

With an annoyed grunt Elena bends down to lift the lid off one of the jars. She flinches as a stream of gravy sprays up out from the jar. The camera cuts to a shot looking in to the jar where we see the nozzle spraying the gravy, and a large pool of thick tomato soup filling half the jar. Elena's right hand plunges into the soup and swishes around, searching around for half a minute, until her hand emerges, covered in soup, but holding three keys.
The camera cuts to a shot of Elena, the gravy now almost up to her knees, the gravy falling down from the ceiling having soaked in to her clothes and hair. She reaches up and tries the keys in the padlocks, and manages to unlock two of them with the keys.
The camera cuts to a shot of the hourglass, where we see about thirty percent of the time has passed. The camera cuts back to Elena as she lifts the lid off the second jar. The camera then cuts to a shot of the second jar, with another nozzle spraying gravy upwards towards Elena as she reaches in to the large pool of cranberry sauce in the jar. The camera cuts to a shot looking up at Elena as the nozzle sprays gravy up in to her face and chest, while gravy continues to fall from above. Eventually she straitens up, and reaches for the hatch above her, as the gravy reaches up to her thighs.
The camera cuts to the hourglass, where we see a little under sixty percent of the time has gone. The camera cuts back to the hatch as Elena unlocks one of the padlocks. The camera then cuts to the next jar, which is now submerged slightly under the gravy, now at Elena's waist. She removes the jar, to reveal a large pile of mashed potato in the jar. She reaches in, causing the mashed potato to break up amongst the gravy. It takes a while to reach in to the bottom of the jar, during which the gravy reaches up to her chest, before she reaches up to the hatch with three keys in her hand. As she hurriedly tries the keys the camera cuts to the hourglass, showing only fifteen percent of her time is remaining.
The camera cuts back to Elena as she unlocks another 2 padlocks, leaving just one up there. She takes a deep breath, and submerges under the gravy. The camera cuts to a submerged shot, as the final jar is opened, revealing it's filled with dark green mint sauce. She briefly searches around in the sauce, before the camera cuts to Elena emerging from the gravy, gasping for air. She has one key which she tries in the last padlock. The camera cuts to the hourglass as we see there's almost no sand left. The camera cuts back to Elena, as she realizes the one key she's found doesn't fit the last padlock, as a loud siren blares out.
The camera cuts to another hall in the aquarium, with various groups looking around the various exhibits. Suddenly a loud siren blares out, as the lights come on at a previously unlit enclosure. It reveals a large pool full of pink seafood sauce, sprinkled with not too fresh looking prawns behind the glass front of the enclosure. There's a loud scream as Elena, and all the gravy she was trapped with falls down from above in to the large pool, causing her to submerge under the sauce. As everyone looks on in shock we see Elena emerge from the sauce, completely covered in the thick pink sauce.

Scene 26:

The camera cuts to a shot looking through the two way mirror of a police interview room. We see Porcelain sitting at a table on her own, as the camera zooms back, showing Detective Briggs, standing the other side of the mirror, looking rather annoyed as he reads a message on his phone. He looks up as we see Detective Louis and Porcelain's friend Sandy approaching.

Briggs: There's been another gunge attack. This time at the Fort Redgrave aquarium. Do you know anything about this?
Sandy: Of course not. I've already put up with several interviews as it is, despite being able to provide an alibi for when several of the attacks took place.
Briggs: You really think that's enough to remove all suspicion after what you did?
Louis: Calm down Briggs. We'll make sure that everything's fully investigated. For now are you ready to proceed Sandy?
Sandy: Yes thank you.
Louis: Just remember we'll be watching at all times. If you want us to step in just raise both your hands in the air.
Sandy: Understood.

The camera zooms back in to the interview room towards Porcelain. She looks up as we hear the door open.

Porcelain: Sandy. Long time, no see.
Sandy: Good to see you again Porcelain.
Porcelain: Really? It's been over eighteen months, yet you never thought to visit.
Sandy: I would if it was allowed.
Porcelain: I can't believe your just letting me rot in some asylum, while you all just get on with your lives.
Sandy: That's not true. We've all been trying to get you out. It's a lot harder than you imagine. A lot of people want you silenced.
Porcelain: Oh bullshit! Your all happy just to walk away and lead the easy life.
Sandy: That's not true.
Porcelain: After all I did for you too. You were just the lackey of the local low life until I stepped in, and taught you to stand up for yourself.
Sandy: That's not true.
Porcelain: Face it. Your doing nothing for me, even though without me you'd be nothing.

With an angry cry Sandy launches herself over the table at Porcelain. Stunned Porcelain collapses on the floor with Sandy on top of her. Sandy removes her chunky heeled shoe and throws it at Porcelain. The camera cuts to the door as Briggs and Louis burst in, and pull Sandy off, and drag her towards the door.

Briggs: Are you happy now Porcelain?

The camera cuts to Porcelain, lying on the ground with her back towards the door. Without a word she rolls over, and slides Sandy's shoe back towards her.