Piekitten Productions
A UMD Store
I really really like pie, but doing pie right means buying out grocery stores of all of their heavy whipping cream.

I also have an expensive "building WAM devices" habit.


If you like my content and want to see me make more of it, then consider feeding the beast. For the time being, I intend to post my stuff primarily as Name Your Price so it gets out there and seen, with an eye towards paying for my supplies and new device iterations. Every $5 effectively buys 1 pie worth of heavy whipping cream and an aluminum pie tin.



Interested in owning some of the WAM devices I've built? I have also started a business selling WAM devices and currently sell remote control / IoT-enabled slime tanks via Etsy:
https://www.etsy.com/shop/PiekittenProductions
Added: 7/7/22
Updated: 7/23/25
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Trailer from Fruitkitty--Pi Day 2024--The Piekitten Pod, with Fillings
"Possibly the most absurd 15 seconds of WAM content ever made."
Producer:
Added 3/14/24
1,167 plays
Keywords: gloop  butter  cherries  cream  cream pie  food  pies
tagged male
My 2024 Pi Day video, and the first to use my new Piekitten Pod device which fires 4x 1.5 gallon tubes in 8s. This scene is perhaps the most glorious 15-20s of excessive WAM I've certainly ever done or seen so far.

Video starts with a manual cream pie, followed by the 1st tube of all cream, 2nd tube of cream/cherry, 3rd tube of cream/apple butter, and 4th tube of cream/blueberry. I only use proper heavy whipping cream in my scenes and I think the results speak for themselves.

Wearing a PVC bonnet, silicone bib, collar with 3D-printed Piekitten bullseye tag, and a diaper.

The main video (free version) for this scene is the 4k60SDR (vertical) shot using an iPhone 15 Pro, and boy did that thing do some work. I strongly recommend watching the frame-by-frame because so much is happening and it's in such good detail.

I'm putting up the Hdr version of the main camera and 5 other camera angles as a Nyp. The other angles include 1080p240fps for 8x slow-mo on an iPhone 13 Pro camera, which starts wide-angle but unfortunately got knocked by the stream from the 2nd tube and switches mid-scene to 1x and partially out of frame. The other 4 angles are from a mix of sports cameras and include two 4k30 angles and two 1080p120fps 4x slow-mo overhead angles. I use DC lighting to ensure zero flicker on the slow-mo.
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