After a messy intro, the Wife gives us a bunch of channels to watch, and they're all filthy. A lot of slop on the ladies. The point-of-view shot was a nice touch, at the beginning. As a gamer, I loved the background music for Violet's commercial, which was a funny ad. The Sopranos parody was a pleasant surprise, and genuinely had me laughing. The Office parody was a lot of fun; Tori and the Wife look great with ties. The joke at the very end has to be seen to be believed. Great skits and commercials all around; you can't go wrong with this one, folks.

A long time ago, I made a terrible, terrible mistake: I claimed that episode 7 of You Can't Do That on Set was one of the greatest scenes I had ever scene on this site. Alas, I have been proven a liar and a fraud, as I can say without any doubt or hyperbole that this scene is the greatest scene any creator has ever produced on this site. I don't even know where to begin with this review. The premise of this scene follows the Wife watching television--flicking between various channels and watching various programs (almost all of-which are inevitably WAM themed). Already, this scene has given us a premise that offers great potential, and the scene wastes no time taking full advantage of it. There are adverts, sitcoms, dramas and interviews--each of which offer what is possibly one of the largest casts for a WAM scene a wide range of roles and acting styles (which they eagerly embrace). Alongside this variation, the production value of this scene is noticeably ambitious, with clear thought being placed into the costuming and casting of certain scenes. I even noticed that certain skits were deliberately invoking the directorial styles of their inspirations--resulting in possibly the first and only time I can seriously discuss cinematography in a WAM scene (remember when these were just supposed to be funny videos?). Furthermore, I also found some of the performances to be surprisingly strong (particularly for a WAM scene) avoiding the common traps of under or overacting while still managing to convey the intended emotions. Of particular note to me was the performance of Tiffany--who effectively portrays the role of a interviewee caught off-guard by the shenanigans of their skit--as well as Paige and Samantha--who portray two bickering sisters from a sitcom (with performances so good--it's as if they're actually sisters in real-life). The only criticisms I have are that the sets and environments are very cheap (with most just being the actor standing up against a wall) and that some of the skits suffer from being a little bit over-lit (the use of more dynamic lighting and shadows would go a long way in making the scene look more professional). However, let me clarify that I am only making these criticisms because I am now treating these scenes as real professional productions (which should be indicative of the insane level of quality on display here) and because I'm secretly now hoping that the Man and the Wife will invest in a studio (or something similar) as they've demonstrated a significant amount of skill. Most importantly however, this scene has a reference to The Sopranos, which instantly means that I must declare it the greatest thing in the universe.