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"What is a Quality Wetlook Clip to You?"
Love you, too
Hello everybody,
I will need some feedback for the clips I produce. Every feedback would be greatly appreciated.
What makes a great Wetlook clip to you?
How important is a story?
What setting do you like?
Sunny day clip, cloudy day clip or indoor clip?
How important is it to you, to see every detail in the wet fabric?
How important is the color to you? You like it more dull, more vibrant, or whatever the mood is.
I am still very new to the game and I have a feeling that there is always room for improvement.
I am planning on shootings clips at night soon, where you obviously won't see as much detail as in daylight but I'll try my best to make it look good.
I will need some feedback for the clips I produce. Every feedback would be greatly appreciated.
What makes a great Wetlook clip to you?
How important is a story?
What setting do you like?
Sunny day clip, cloudy day clip or indoor clip?
How important is it to you, to see every detail in the wet fabric?
How important is the color to you? You like it more dull, more vibrant, or whatever the mood is.
I am still very new to the game and I have a feeling that there is always room for improvement.
I am planning on shootings clips at night soon, where you obviously won't see as much detail as in daylight but I'll try my best to make it look good.
For me your Camille in the Lululemon is the perfect scene, great looking model in a great outfit, having fun in the pool with some great close ups of it clinging to her and the water dripping off.
For me, it's all about tight & revealing clothes with little to no story - just doing it for the fun of it, I'm the same with my messy scenes really.
But then that's just me. I know others will love loose clothes and the way they react in water and a lot love a story with the humiliation aspect.
For me, it's all about tight & revealing clothes with little to no story - just doing it for the fun of it, I'm the same with my messy scenes really.
But then that's just me. I know others will love loose clothes and the way they react in water and a lot love a story with the humiliation aspect.
For what I like to do - any wet, any way, any where. Although given a choice, I tend towards what I'll mention next.
For watching, I very much prefer scenes outdoors in natural settings: streams, rivers, ponds, lakes, oceans.
My preference is for clothed wetlook, with shoes, especially high heeled shoes and boots.
I like a slow, gradual wet over jumping in at the start.
It's like foreplay
Just the sole and heel, not even noticeable.
Then a little deeper, so it might start to show...
And so on.
For watching, I very much prefer scenes outdoors in natural settings: streams, rivers, ponds, lakes, oceans.
My preference is for clothed wetlook, with shoes, especially high heeled shoes and boots.
I like a slow, gradual wet over jumping in at the start.
It's like foreplay
Just the sole and heel, not even noticeable.
Then a little deeper, so it might start to show...
And so on.
- sloppy wet kisses!
Story- I'm kind of weird where I'm a creative person so I need a person to have a reason to get wet (especially with my interests in clothing, dresses and water aren't something that frequently go together), but I also watch videos on silent so I don't actually hear anything.
No preference for setting.
Clothing- maxi dresses are maxi sexy when wet (I did not come up with this- it was the caption of a picture on Google images of a woman posing that would be permanently in my spank bank if it didn't resemble a friend of mine). Other than that- I hate swimwear in WAM in any way shape or form because it's designed to get wet so it seems kind of pointless.
Other than that- slowly getting wet instead of just jumping in. I worked at an apartment pool with a large immigrant population (ie a lot of women swimming in t shirts and leggings) and I would be a liar if I said I didn't think it was kind of hot watching them walk into the pool and slowly get more and more wet.
No preference for setting.
Clothing- maxi dresses are maxi sexy when wet (I did not come up with this- it was the caption of a picture on Google images of a woman posing that would be permanently in my spank bank if it didn't resemble a friend of mine). Other than that- I hate swimwear in WAM in any way shape or form because it's designed to get wet so it seems kind of pointless.
Other than that- slowly getting wet instead of just jumping in. I worked at an apartment pool with a large immigrant population (ie a lot of women swimming in t shirts and leggings) and I would be a liar if I said I didn't think it was kind of hot watching them walk into the pool and slowly get more and more wet.
Truthfully you've already produced a great amount of what I'd say are "quality wetlook" clips!
A few standouts for me are an early clip with Nathalia in a red gown, Camille in a red cocktail dress and recently one you did with Lilith in a pageant dress (definitely a sucker for the formal wear lol). I think what draws me to that look is the way it clings to the models body when met with water along with the color change and shine that goes with it.
Of course it's not just the outfit, a lot of your models have done a great job showing their full body wet as well. I like how you flip between tracking and following the models underwater in the pool or keeping the camera on the surface as they emerge, each captures a different perspective.
However none of that really works if whoever is modeling isn't having some fun with it or enjoying their own performance. All those clips I mentioned you could see things like a subtle smile from the model and moments where they'd pause to pose for the camera. Many other clips I've watched of yours the models like to slow things down and take their time swimming around or going underwater which is always preferable to rushing through a shoot. All told it feels genuine and when the model is comfortable so too is the audience.
As far as story goes, if there's a good idea for a plot then go for it! My thinking is that you might want to use multiple camera angles instead of just one, I saw one clip where you tried but they both looked like they were from the same angle so it didn't make much of a difference. I don't think you need a 2nd camera person really, you could set up a stationary camera sitting at the edge of the pool or wherever and that could work as well. As long as it's acted well, doesn't come off as forced and cut together properly in the editing room then a story would totally work.
Lastly, it would be great to see other locations in your videos. Don't get me wrong the pool is great as it is and I've seen at least 3 different pools used for your backdrop, but I think you could produce some great stuff in a more intimate setting like the shower or a large bathtub.
All together you are doing amazing work right now and I'm happy to continue supporting your content. Wishing you and the team continued growth success!
A few standouts for me are an early clip with Nathalia in a red gown, Camille in a red cocktail dress and recently one you did with Lilith in a pageant dress (definitely a sucker for the formal wear lol). I think what draws me to that look is the way it clings to the models body when met with water along with the color change and shine that goes with it.
Of course it's not just the outfit, a lot of your models have done a great job showing their full body wet as well. I like how you flip between tracking and following the models underwater in the pool or keeping the camera on the surface as they emerge, each captures a different perspective.
However none of that really works if whoever is modeling isn't having some fun with it or enjoying their own performance. All those clips I mentioned you could see things like a subtle smile from the model and moments where they'd pause to pose for the camera. Many other clips I've watched of yours the models like to slow things down and take their time swimming around or going underwater which is always preferable to rushing through a shoot. All told it feels genuine and when the model is comfortable so too is the audience.
As far as story goes, if there's a good idea for a plot then go for it! My thinking is that you might want to use multiple camera angles instead of just one, I saw one clip where you tried but they both looked like they were from the same angle so it didn't make much of a difference. I don't think you need a 2nd camera person really, you could set up a stationary camera sitting at the edge of the pool or wherever and that could work as well. As long as it's acted well, doesn't come off as forced and cut together properly in the editing room then a story would totally work.
Lastly, it would be great to see other locations in your videos. Don't get me wrong the pool is great as it is and I've seen at least 3 different pools used for your backdrop, but I think you could produce some great stuff in a more intimate setting like the shower or a large bathtub.
All together you are doing amazing work right now and I'm happy to continue supporting your content. Wishing you and the team continued growth success!
For me, a story is necessary. There are so much wetlook videos out there. A little story makes it more interesting for me. Also, I like to see how the girls react to the water when getting in fully clothed. Especially when it's their first time. Also, some dialogs with the other models are great.
Like in your Mother and Daughter Video.
In your "Vote for your favorite script to Win!" post were some great ideas for videos. Maybe you could make some of there happen. As some of them got plenty of votes, I think they would sell pretty good.
I prefer them to get in the water rather slowly than jumping in right away.
I don't care much about the location, as long as the light is good. Like in your last videos from the new pool.
Outfit wise, it's fully clothed for me. Jeans or pants, Jackets and shoes. Leather is great. Could also take bags with them.
Like in your Mother and Daughter Video.
In your "Vote for your favorite script to Win!" post were some great ideas for videos. Maybe you could make some of there happen. As some of them got plenty of votes, I think they would sell pretty good.
I prefer them to get in the water rather slowly than jumping in right away.
I don't care much about the location, as long as the light is good. Like in your last videos from the new pool.
Outfit wise, it's fully clothed for me. Jeans or pants, Jackets and shoes. Leather is great. Could also take bags with them.
I like shiny clothing so sunshine is a must.
I also like to see clothing that is unique or atleast not used by 543 different producers so jeans is a big NO for my taste.
Unique clothing like the adidas tops in the "script" topic. I would die to see any of those 2 used, as I have NEVER seen any used in wetlook.
Expensive clothing, unique outfits and sunshine makes me happy.
I also like to see clothing that is unique or atleast not used by 543 different producers so jeans is a big NO for my taste.
Unique clothing like the adidas tops in the "script" topic. I would die to see any of those 2 used, as I have NEVER seen any used in wetlook.
Expensive clothing, unique outfits and sunshine makes me happy.
Most important part for me is that the model is actually enjoying it, or at least convincingly acts as if she is enjoying it. Second is how the clothes look on the model. So no matter how good the story or build up is or no matter how good the clothes look on the model, if the model looks like she don't know what to do or isn't enjoying the session then it kinda kills the quality of the video for me. It kinda reminds me a bit of those over scripted and bad acted porn movies that there were way too many of in the 90's.
Hi, Firstly what you've produced so far has been great,
As for what i'd like to see in a wetlook video is an attractive model dressed in a full outfit, not just jeans, vest top and shoes but layers such as skirts with tights, jackets over tops. Accesories such as watches, jewellery, belts etc. as if they're going out rather than as little as possible as their going swimming. Look at what Erik Elsas's models wear. Location wise i prefer pools especially indoor ones as it allows some undewrwater shots. and i think you need the models to get out of the water to show their wet state. And have the model use a floatie/inflatable, jump, dive, play and have fun with what they're doing.
As for what i'd like to see in a wetlook video is an attractive model dressed in a full outfit, not just jeans, vest top and shoes but layers such as skirts with tights, jackets over tops. Accesories such as watches, jewellery, belts etc. as if they're going out rather than as little as possible as their going swimming. Look at what Erik Elsas's models wear. Location wise i prefer pools especially indoor ones as it allows some undewrwater shots. and i think you need the models to get out of the water to show their wet state. And have the model use a floatie/inflatable, jump, dive, play and have fun with what they're doing.
Answering your questions:
How important is a story?
> A story is a nice-to-have, not a must-have for me.
What setting do you like?
> I like plain white t-shirts (short sleeve, tight) and black leggings. The girl should be completely soaked, preferable in a pool. So not only pouring water from a bottle. The soaked shirt should cling to the body. If the girl climbs out of the pool, a frontal view / closeup is a must-have.
Sunny day clip, cloudy day clip or indoor clip?
> If outdoor: sunny. If indoor, good lighting is important.
How important is it to you, to see every detail in the wet fabric?
> I don't need to be able to count the atoms
. But a bit of detail is of course always nice.
How important is the color to you? You like it more dull, more vibrant, or whatever the mood is.
> Don't use filters for the post-processing. Just the video how it was shot. Also not too much cutting, I like long scenes without too many transitions.
How important is a story?
> A story is a nice-to-have, not a must-have for me.
What setting do you like?
> I like plain white t-shirts (short sleeve, tight) and black leggings. The girl should be completely soaked, preferable in a pool. So not only pouring water from a bottle. The soaked shirt should cling to the body. If the girl climbs out of the pool, a frontal view / closeup is a must-have.
Sunny day clip, cloudy day clip or indoor clip?
> If outdoor: sunny. If indoor, good lighting is important.
How important is it to you, to see every detail in the wet fabric?
> I don't need to be able to count the atoms
. But a bit of detail is of course always nice. How important is the color to you? You like it more dull, more vibrant, or whatever the mood is.
> Don't use filters for the post-processing. Just the video how it was shot. Also not too much cutting, I like long scenes without too many transitions.
Saturation Hall, Langstonedale
Lord of the Pies
WetlookFashion said: Hello everybody,
I will need some feedback for the clips I produce. Every feedback would be greatly appreciated.
What makes a great Wetlook clip to you?
I will need some feedback for the clips I produce. Every feedback would be greatly appreciated.
What makes a great Wetlook clip to you?
Good and competent photography, above all else.
We **MUST** be able to see the actual wetting of the model's dry clothes happening. A perennial problem I constantly see in wam, and wetlook in particular, is utterly idiotic filming where the videographer is so obsessed with keeping the model's face in shot that they entirely miss the actual money-shots of her feet and legs going down into the water. Shooting a wetlook video is ***NOT** the same as taking a family photo of great aunt Marjorie and nephews on the beach at Great Insmouth, where having all the faces centred in the frame is everything. Pan the damn camera down and let us see the actual wetlook happening. (sorry to rant but I see this in wetlook trailers constantly - arrrgggghhhhhh!)
Pose and viewpoint. Following on from the point above, make sure the model is either directly face-on to the camera (for a front view) or directly back-on to the camera (for a back view). The most important things to see in a slow-wetting scene are either the model's crotch and trunk entering the water from the front, or their thighs and bottom entering the water from behind. Do not film ftom the side, and make sure the model(s) undertand the views you want to capture, and doesn't go into a cute/coy pose that blocks the view. Cute posing can be done once she's fully soaked, but let us see the wetting process happen fully and clearly first. Camera angle and location. If a model is walking down steps into a pool, then the camera wants to be down within a foot or two of the water level, not looking down from eye-level of someone standing poolside. Lighting - esp in outdoor scenes, make sure the sun is on the same side of the model as the photographer, else all we'll see is a shilouette. Description: Make sure to make clear in the scene description if the model gets wet slowly, by walking down into water, or using a hosepipe or buckets, of whether she jumps into a pool or river and goes from dry to wet instantly. Some people like the instant dry-to-soaked thing, others like seeing someone get wet slowly. There ain't no such animal as too much description for wam / wetlook scenes, the more accurate and detailed information you provide the more chance there is of someone deciding to buy the clip. Outfit: Either describe the model(s) outfit in detail in text, or even better, include several clear and full height clean and dry preview shots, so we can see exactly what they are wearing. Again, if someone can tell that the outfit is exactly what they like, there's more chance they'll buy. The points above are fairly universal, but to add some personal preferences for what makes or breaks a scene for me:
Low-rise jeans and trousers are an abomination before the gods that should be erased from the world forever. Low-rise utterly ruins the look of a model's figure. If a model is wearing low-rise, or if I can't tell if high or low, then I won't buy. Tuck their shirts in! I'm a fan of seeing girls in jeans getting wet, and I want to be able to see the actual jeans - so shirts or jackets hanging down and blocking the view is a deal-breaker. Jackets should only be used if they are short cropped ones, and shirts or t-shirts should be tucked in. If pockets have zips, close them up. Improves the line of the clothes and looks neater. Gaping pockets esp in tracksuit trousers are a turn-off. WetlookFashion said: How important is a story?
A nice back-story can add to the intro to a scene but nothing really needed beyond that.
WetlookFashion said: What setting do you like?
Variety is good, but at the same time if you have a good setting like a well designed pool or nice open shower, it makes sesnse to use it, and there's nothing wrong with using the same setting over and over if the results are good.
WetlookFashion said: Sunny day clip, cloudy day clip or indoor clip?
No preference, other than if shooting in sunlight, make sure that 1) the sun is behind you, not behind the model and 2) check for shadows, make sure the model isn't going from bright sunlight to shadow as they enter the water, else we won't be able to see anything.
WetlookFashion said: How important is it to you, to see every detail in the wet fabric?
I want to be able to see the clothes getting wet, so make sure when the actual wetting is happening, we can see everything. Once the model is wet, close ups of different areas, especially bum in jeans, can add to it.
WetlookFashion said: How important is the color to you? You like it more dull, more vibrant, or whatever the mood is.
Anything the model(s) is/are happy with. Most important thing is that the outfit shows that it's wet, that we can see a difference between dry and wet. Other than that, anything goes.
WetlookFashion said: I am still very new to the game and I have a feeling that there is always room for improvement.
I am planning on shootings clips at night soon, where you obviously won't see as much detail as in daylight but I'll try my best to make it look good.
I am planning on shootings clips at night soon, where you obviously won't see as much detail as in daylight but I'll try my best to make it look good.
You can get some quite cool effects shooting at night though probably easier with still photos and a powerful flash than on video.
Saturation Hall - Forth! The Gungemaidens!
DungeonMasterOne said:
Good and competent photography, above all else.
We **MUST** be able to see the actual wetting of the model's dry clothes happening. A perennial problem I constantly see in wam, and wetlook in particular, is utterly idiotic filming where the videographer is so obsessed with keeping the model's face in shot that they entirely miss the actual money-shots of her feet and legs going down into the water. Shooting a wetlook video is ***NOT** the same as taking a family photo of great aunt Marjorie and nephews on the beach at Great Insmouth, where having all the faces centred in the frame is everything. Pan the damn camera down and let us see the actual wetlook happening.
(sorry to rant but I see this in wetlook trailers constantly - arrrgggghhhhhh!)
Pose and viewpoint. Following on from the point above, make sure the model is either directly face-on to the camera (for a front view) or directly back-on to the camera (for a back view). The most important things to see in a slow-wetting scene are either the model's crotch and trunk entering the water from the front, or their thighs and bottom entering the water from behind. Do not film ftom the side, and make sure the model(s) undertand the views you want to capture, and doesn't go into a cute/coy pose that blocks the view. Cute posing can be done once she's fully soaked, but let us see the wetting process happen fully and clearly first.
Camera angle and location. If a model is walking down steps into a pool, then the camera wants to be down within a foot or two of the water level, not looking down from eye-level of someone standing poolside.
Lighting - esp in outdoor scenes, make sure the sun is on the same side of the model as the photographer, else all we'll see is a shilouette.
Description: Make sure to make clear in the scene description if the model gets wet slowly, by walking down into water, or using a hosepipe or buckets, of whether she jumps into a pool or river and goes from dry to wet instantly. Some people like the instant dry-to-soaked thing, others like seeing someone get wet slowly. There ain't no such animal as too much description for wam / wetlook scenes, the more accurate and detailed information you provide the more chance there is of someone deciding to buy the clip.
Outfit: Either describe the model(s) outfit in detail in text, or even better, include several clear and full height clean and dry preview shots, so we can see exactly what they are wearing. Again, if someone can tell that the outfit is exactly what they like, there's more chance they'll buy.
The points above are fairly universal, but to add some personal preferences for what makes or breaks a scene for me:
Low-rise jeans and trousers are an abomination before the gods that should be erased from the world forever. Low-rise utterly ruins the look of a model's figure. If a model is wearing low-rise, or if I can't tell if high or low, then I won't buy.
Tuck their shirts in! I'm a fan of seeing girls in jeans getting wet, and I want to be able to see the actual jeans - so shirts or jackets hanging down and blocking the view is a deal-breaker. Jackets should only be used if they are short cropped ones, and shirts or t-shirts should be tucked in.
If pockets have zips, close them up. Improves the line of the clothes and looks neater. Gaping pockets esp in tracksuit trousers are a turn-off.
A nice back-story can add to the intro to a scene but nothing really needed beyond that.
Variety is good, but at the same time if you have a good setting like a well designed pool or nice open shower, it makes sesnse to use it, and there's nothing wrong with using the same setting over and over if the results are good.
No preference, other than if shooting in sunlight, make sure that 1) the sun is behind you, not behind the model and 2) check for shadows, make sure the model isn't going from bright sunlight to shadow as they enter the water, else we won't be able to see anything.
I want to be able to see the clothes getting wet, so make sure when the actual wetting is happening, we can see everything. Once the model is wet, close ups of different areas, especially bum in jeans, can add to it.
Anything the model(s) is/are happy with. Most important thing is that the outfit shows that it's wet, that we can see a difference between dry and wet. Other than that, anything goes.
You can get some quite cool effects shooting at night though probably easier with still photos and a powerful flash than on video.
WetlookFashion said: Hello everybody,
I will need some feedback for the clips I produce. Every feedback would be greatly appreciated.
What makes a great Wetlook clip to you?
I will need some feedback for the clips I produce. Every feedback would be greatly appreciated.
What makes a great Wetlook clip to you?
Good and competent photography, above all else.
We **MUST** be able to see the actual wetting of the model's dry clothes happening. A perennial problem I constantly see in wam, and wetlook in particular, is utterly idiotic filming where the videographer is so obsessed with keeping the model's face in shot that they entirely miss the actual money-shots of her feet and legs going down into the water. Shooting a wetlook video is ***NOT** the same as taking a family photo of great aunt Marjorie and nephews on the beach at Great Insmouth, where having all the faces centred in the frame is everything. Pan the damn camera down and let us see the actual wetlook happening. (sorry to rant but I see this in wetlook trailers constantly - arrrgggghhhhhh!)
Pose and viewpoint. Following on from the point above, make sure the model is either directly face-on to the camera (for a front view) or directly back-on to the camera (for a back view). The most important things to see in a slow-wetting scene are either the model's crotch and trunk entering the water from the front, or their thighs and bottom entering the water from behind. Do not film ftom the side, and make sure the model(s) undertand the views you want to capture, and doesn't go into a cute/coy pose that blocks the view. Cute posing can be done once she's fully soaked, but let us see the wetting process happen fully and clearly first. Camera angle and location. If a model is walking down steps into a pool, then the camera wants to be down within a foot or two of the water level, not looking down from eye-level of someone standing poolside. Lighting - esp in outdoor scenes, make sure the sun is on the same side of the model as the photographer, else all we'll see is a shilouette. Description: Make sure to make clear in the scene description if the model gets wet slowly, by walking down into water, or using a hosepipe or buckets, of whether she jumps into a pool or river and goes from dry to wet instantly. Some people like the instant dry-to-soaked thing, others like seeing someone get wet slowly. There ain't no such animal as too much description for wam / wetlook scenes, the more accurate and detailed information you provide the more chance there is of someone deciding to buy the clip. Outfit: Either describe the model(s) outfit in detail in text, or even better, include several clear and full height clean and dry preview shots, so we can see exactly what they are wearing. Again, if someone can tell that the outfit is exactly what they like, there's more chance they'll buy. The points above are fairly universal, but to add some personal preferences for what makes or breaks a scene for me:
Low-rise jeans and trousers are an abomination before the gods that should be erased from the world forever. Low-rise utterly ruins the look of a model's figure. If a model is wearing low-rise, or if I can't tell if high or low, then I won't buy. Tuck their shirts in! I'm a fan of seeing girls in jeans getting wet, and I want to be able to see the actual jeans - so shirts or jackets hanging down and blocking the view is a deal-breaker. Jackets should only be used if they are short cropped ones, and shirts or t-shirts should be tucked in. If pockets have zips, close them up. Improves the line of the clothes and looks neater. Gaping pockets esp in tracksuit trousers are a turn-off. WetlookFashion said: How important is a story?
A nice back-story can add to the intro to a scene but nothing really needed beyond that.
WetlookFashion said: What setting do you like?
Variety is good, but at the same time if you have a good setting like a well designed pool or nice open shower, it makes sesnse to use it, and there's nothing wrong with using the same setting over and over if the results are good.
WetlookFashion said: Sunny day clip, cloudy day clip or indoor clip?
No preference, other than if shooting in sunlight, make sure that 1) the sun is behind you, not behind the model and 2) check for shadows, make sure the model isn't going from bright sunlight to shadow as they enter the water, else we won't be able to see anything.
WetlookFashion said: How important is it to you, to see every detail in the wet fabric?
I want to be able to see the clothes getting wet, so make sure when the actual wetting is happening, we can see everything. Once the model is wet, close ups of different areas, especially bum in jeans, can add to it.
WetlookFashion said: How important is the color to you? You like it more dull, more vibrant, or whatever the mood is.
Anything the model(s) is/are happy with. Most important thing is that the outfit shows that it's wet, that we can see a difference between dry and wet. Other than that, anything goes.
WetlookFashion said: I am still very new to the game and I have a feeling that there is always room for improvement.
I am planning on shootings clips at night soon, where you obviously won't see as much detail as in daylight but I'll try my best to make it look good.
I am planning on shootings clips at night soon, where you obviously won't see as much detail as in daylight but I'll try my best to make it look good.
You can get some quite cool effects shooting at night though probably easier with still photos and a powerful flash than on video.
Gosh, I love rants. They come from the heart. Thank you.
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