Hi

Can you help me with filming of my knickerfilling scenes ? I would like to know if you prefere to see a close up view or to see the whole body and face in a scene. I never know how to film them
Here are some examples of views of my scenes all shot differently....Tia.

Hi, Cinq: For me I definitely want to see your face.

Beyond the fact that you're cute and pretty, your face is the only way that I can tell how the substance you're filing your knickers with is making you feel. Is it cold? Does it squish into intimate areas? Is it turning you on? Is there a bean which is being particularly forward, even impertinent?

In my stories, I try to have my characters feel the items being poured down. And then when their clothing is full, to have the front of the clothes pressed in so that the special substances flow and ooze, heightening the pleasure...

So... I want to see your face as you shut your eyes and get into the scene.

Jason Pinaster

BTW: The poll didn't open fully the first time I tried. And when I switched from FireFox to Safari, the choices came out in a different order.

I think a nice mix of facial expressions as the substance goes into your panties & onto your ladies bits, & nice close ups of how much substance is in there.

Good question!

Not sure if it's a simple matter of either/or though: it's cutting between a whole body view as the splosher approaches with a jug full of (say) baked beans, then a focus on the knickers being pulled out at the top, cut to the face with an expression of anticipation, back to the knickers as they filled with the beans, the face again for your reaction, then a whole body view showing the beans filling the knickers and start to drip down together with your expression.

When do I start as director?

And videographer and editor

Variety is the spice of life varying angles shots and close ups all add to the overall pleasure. Of the shoot keep.up the good work and don't charge anything

Varying angles is impossible when you are shooting alone as a messy housewife, thats why I asked the question. Im not a film buff haha its one angle only !

I said other because I think this isn't impossible. So you set up your camera about about crotch level. This lets you comfortably do standing close ups etc. But if you back a way a little you can then do kneeling or sitting shots.

Personally I'd do something like this.

1st pour/shot - Front kneeling, able to see face. The first shot is the most important to see the face on (if you're showing the face) because it's the initial shock factor reaction. It's like the first time you jump in the pool. After you've been in, jumping in a couple more times isn't the same, because you're now used to it.

2nd shot, kneeling behind - basically the same thing but we can now see the back side. Plus you can bend over and also crawl forward or backwards a bit to get a close up if you want.

later shots you can do however you want, bring in a chair if you want to do some sitting or smushing stuff in addition to filling.

So yeah, even if you're filming with a stationary camera, you can move around a bit yourself and make as many different views as you like.

Keep up the great work you already are doing. Make yourself comfortable and combine all the views if possible...

And fill it!

Full view
Facial expressionS & body language all matter.. and as far as tights are concerned
legs & squishing feet too

I vot d for something else cause I like both close up and full body and face. It's nice if someone films and you can zoom in and out. Also if possible if alone two cameras one full body and one close up.

I'd suggest:

For pant / kincker / shorts filling scenes, you want the view to be from top of head to mid-thigh.

Option: If you do the scene kneeling down, but with the view arranged head-to-mid-thigh, then by standing up you change it to a waist-to-ankles view.

The same view (esp the kneeling version with standing up for parts of it) will also work for trousers / leggings / tights filling, or you could do a sitting full-height shot, again standing up to shift the focus more onto the leg-clothes, and sitting down again to bring your head back into shot.

In general you probably want your face in shot for the initial pour-in so we get to see your reactions as comfortable and dry is first replaced by wet and messy, but then for the subsequent more filling pours, stand up so the camera is concentrating on you waist down and we can watch the staining-through and flowing inside your clothes as the mess is poured in.